![]() If your project workflow requires the most advanced toolset with access to useful features like codec previewing, batch processing, and advanced spectral editing, Sequoia is a great choice. WaveLab ProĪ 64-bit audio engine that supports 32-bit audio with sample rates up to 384 kHz, makes WaveLab Pro a go-to for high fidelity. Steinberg’s contribution to digital audio editing goes back to its creation in 1984 with MIDI editing apps built for Commodore 64 computers. 1989 brought about Cubase which has been adored by many engineers working in tracking, production, and mixing. Their development of VST plugin standards and ASIO drivers took their influence even further into the music industry. When people think Steinberg, they often do not think about WaveLab first. WaveLab, like many mastering DAWs, is a very specialized program that uses an interface unlike most other software. Its feature set is built around mastering, but also includes tools that make it useful for journalists doing audio interviews, post-production houses, and restoration. WaveLab features a 64-bit audio engine that supports 32-bit audio with sample rates up to 384 kHz. This makes WaveLab a great option for those after the most precise, high-quality products. ![]() Pair this with an extensive set of analysis tools and you will be sure that your audio is exactly how you need it to be every time. The spectral editing function in WaveLab has been redesigned for version 9.5 and features a new viewing mode called Wavelet Display. This mode allows for a more accurate display of your audio through pitch scaling. Wavelet Display shows more frequencies in the low end of your audio and more time in the high end to bolster your confidence in making edits across these areas. ![]() Steinberg even took it upon themselves to add inpainting technology to their spectrum editor. MS Technologie.This technology allows WaveLab to replace noise in your tracks with relevant frequencies by analyzing audio before and after the region you are editing. Für eine transparente Tiefenstaffelung & Stereobreite setzen wir auf die sog. Und Analog Tape Simulationen zum Arsenal von Dance Mastering. Sound Radix, Sound Theory, SPL, Synchro Arts, TC- Electronic, Tokyo Dawn Labs, Tone Projects, UAD, Valhalla, Vertigo, Waves und Weiss zum Arsenal von Danceĭa jeder Titel, bzw, jedes Mastering andere Anforderungen mit sich bringen, gehören alleine 10 unterschiedliche Brickwall Limiter, unzählige Kompressoren, EQ´s, oder diverse Saturation Tools Hills, Slate Digital, Softube, Solid State Logic (SSL), Sonnox, Mix, Meter Plugs, Milennia, Newfangled Audio, Neve, Oek Sound, Pro Audio DSP, Process Audio, PSP, Pulsar, Pultec, Shadow Kush Audio, Leapwing, Lindell Audio, Maag, Manley, Mastering The Reality, Denise Audio, DSP Quattro, Elysia, Empirical Labs, Eventide, FabFilter, Fabrice Gabriel, Focusrite, Flux, Izotope, Kazrog, Tools von Acustica Audio, Antares, Ben Schulz, Black Salt, Black Box Analog, Brainworx. ![]() Auf der analogen Seite kommen dabei Mastering Prozessoren von Bettermaker, Solid State Logic/SSL, Rupert Neve, SPL, Tegeler, Thermionic Culture, Flock Audio, WES Audio, Handcrafted Labs, Universal Audio sowieĭigital-Wandler (AD/DA) von Dangerous, Apogee & RME zum Einsatz.Īuf der digitalen Ebene gehören u.A. Stehen Audeze MM-500 Kopfhörer zur Verfügung.ĭie Raumkorrektur wurde von Markus Bertram (MB Akustik) mittels Dirac Roomįür den eigentlichen Mastering Prozess arbeiten wir HYBRID ( Analog &ĭigital) und verbinden dabei die Vorteile dieser beiden Welten. Hier setzt Dance Mastering auf die aktuelle Referenzklasse Trio 11 von FocalĪudio, in Kombination mit 2 Focal Subwoofern.Īls Nearfield Lautsprecher kommen die weltweit etablierten Auratone Super Sound Cubes zum Einsatz und für die feinsten Details Neben einem akustisch optimierten Raum und geschulten Ohren bilden die Abhör-Monitore das Herzstück eines jeden Mastering Studios. ![]()
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